[ad_1] Cameras have become almost essential dive gear, and in the world of 4K social media streaming, the action camera is king. Here are some of the best action cameras for scuba diving currently available Quick Links Inspired by adventurers, explorers and extreme sports enthusiasts, the compact, rugged, action camera design we know today was
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Inspired by adventurers, explorers and extreme sports enthusiasts, the compact, rugged, action camera design we know today was first conceived as a means for surfers to capture themselves as close to the action as possible. Today, action cameras have become almost de rigueur for a multitude of disciplines, from mountaineering to motor racing, skydiving to scuba diving.
Designed to be held, worn or mounted, their compact size coupled with a fixed-focus fisheye lens allows them to get to those places where conventional cameras cannot reach, especially when mounted on long, extendable poles.
POV (point of view) cameras allow for angles that would be otherwise impossible to obtain, and since shooting in cinematic 4K resolution is now possible for everybody from TV documentary makers to inexperienced amateurs, action cameras have become a staple of the scuba diver’s kit bag – here’s some of the best.
The Hero 11 Black is the latest top-of-the-range GoPro. Probably the best video image quality available in a single-lens action camera with a resolution of up to 5.3K/60fps – although this comes at the expense of battery life – and possibly the best image stabilisation on the market, plus a top-notch 27MP still camera. Like its predecessors, it will withstand depths up to 10m without a housing, but a 60m-rated housing is available for £49 and colour-correction filters for another £49. New ‘enduro’ battery will withstand cold water better than previous batteries – expect 60 minutes at top resolution and two hours at lowest.
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VERDICT: THE VLOG KING. Tried and trusted industry standard streaming tech that takes top spot for image quality at a reasonable price; housing and filters add to the bill but the GoPro can’t compete with the depth rating and automatic colour correction of the Paralenz.
Drone specialist DJI’s Osmo Action 4 looks, on the surface, rather like its predecessor, but hidden inside is an upgraded 1/1.3″ sensor, 65 per cent larger than the Action 3. The camera’s unhoused waterproof rating has increased to 18m, and – very importantly – the Osmo Action 4 features an in-built colour correction facility to minimise the need for post-processing. Available as a stand-alone camera priced at £379, the diving combo (£438) includes a 60m-rated housing and floating handle. Video resolution is up to 4K/120fps with hyperlapse and timelapse technologies, plus DJI’s RockSteady and HorizonSteady image stabilisation. Front and rear view screens make the DJI Osmo Action 4 an excellent selfie machine, especially with its upgraded ‘InvisiStick’ feature, which digitally removes selfie sticks from your shots.
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VERDICT: DJI drone tech brings excellent image stabilisation and a wide FOV to a versatile GoPro-rivalling package at a reasonable price.
Insta360’s new X3 has taken 360º filming to the next level. Capable of shooting a complete 360º movie with its 72 – yes, seventy-two – MP sensor in 5.7K/30fps or 4K/60fps, the X3 also has a single-lens camera which can shoot standard movies in 4K/30fps, although you have to dial down the resolution a little to get 60fps. The updated model has a much improved, easier-to-use touch screen than its predecessor and is waterproof to 10m, with a housing (sold separately) rated to 50m. The X3 has a multitude of special effects, including the spectacular ‘bullet time’ mode, and lends itself exceptionally well to filming for virtual reality experiences.
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VERDICT: Stunning 3D performance with a brilliant range of visual effects at a reasonable price point, but not the best option for single-lens video if you’re not interested in 360º shooting or footage for VR.
The camera brand formerly known as Olympus sold off its photography department to fellow Japanese manufacturer, OM Systems, in 2021 to focus on its medical imaging technologies, but the TG-6 remains unchanged – apart from its branding, which will eventually become OM Systems, although models with the Olympus name are still on the shelves. Although the TG-6 is marketed as an action camera – hence its appearance here – it is definitely heading into compact territory. The TG-6 is a fully-featured stills camera that shoots video, rather than the other way around, but is still capable of 4K/30fps and 1080p/60fps. Battery life is 110min if no features or zooming is used, but continuous shooting is limited to 29mins. The TG-6 is rated to 15m, which makes it excellent for snorkelling but limited for diving without the £299 underwater housing.
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VERDICT: There are better options for those seeking a dedicated ‘action camera’, but the TG-6 would serve well as a robust entry-level compact camera suitable for more adventurous environments for those interested in developing stills skills as well as shooting video.
Another camera that straddles the border between ‘compact’ and ‘action’ is the Micro 3.0 from underwater photography specialists Sealife. The shock-proof, permanently sealed Micro 3.0 has built-in EIS and can record 4K Ultra HD Video at 30fps and 1080p HD video at 120 fps for super slo-mo imaging (lower res modes also available). Three built-in digital colour correction filters (deep, green and shallow white-balancing modes) greatly reduce the need for post-processing. A 16 MP camera with fast shutter response can burst-shoot 10 shots per second through the 100º wide-angle lens. Battery life is impressive with three hours of continuous recording, or up to 1,000 pictures.
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VERDICT: The size and unremarkable appearance of the Micro 3.0 belies the fact that this is a very competent camera made by dedicated underwater photo experts. The price may seem high at first glance, but there is a lot of product under the hood.
Launched as a lower-priced competitor to the GoPro Hero 9, the Akaso Brave 8 brings a 4k/60fps camera with 8k timelapse function and a whopping 48MP stills capability to the table. Dual front and rear touch screens clearly signal the Brave 8’s intended market, and it certainly matches much of its rival’s capabilities, with inbuilt image stabilisation and a 170º FOV.
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VERDICT: A worthy rival to previous incarnations of the GoPro, offering excellent quality footage to amateur videographers and vloggers – but professionals will find it falls short of expectations.
AKASO is one of the few brands that offers both high-end (see the Brave 8 above) and budget models of action camera for scuba diving, and with a £65 price tag on a camera, housing and accessories package, there is little on the market that offers so much for so little. Although 4K/25fps is no longer top-of-the resolutions, it’s still damn good for a £50 camera, which also handles 108p at 60fps and even manages 120fps at 720p. Image stabilisation is built-in and a 16MP still camera places it above several vastly more expensive options.
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VERDICT: BEST BUDGET BUY. No budget camera will produce top-end results, but what you get for the money is a top-value option for beginners
Resolution: A measure of the number of pixels available in a frame, which defines the level of detail in the image. 4K UHD (Ultra High Definition) is the current standard, and cameras that don’t meet it have all but disappeared from the market. For your average holiday dive, however,1080p HD (or FHD, Full High-Definition) at 30fps is more than enough to enjoy reliving the best encounters. Higher resolutions mean bigger file sizes and shorter battery life.
Frame rate (fps): Frames per second is the rate at which distinct images (frames) are displayed in a video sequence. Although most people will find 30fps comfortable enough to watch, higher frame rates allow for smoother video, and can be used to create slow-motion footage without blurring. Like high resolution, high fps means bigger files and shorter battery life, but most cameras offer a compromise with higher fps at lower resolution settings, and vice versa
Electronic image stabilisation (EIS): Motion sensors in the camera adjust the image to compensate for the shaking of whatever the camera is attached to, making for a smoother image – invaluable for bumpy mountain biking but less important for diving – and it also eats battery life.
View screens: There are few cameras on today’s market that don’t have at least one view screen, but if you’re filming lots of POV (point of view) looking back at yourself, double front-and-rear screens are the way to go.
Colour correction: Light is absorbed by seawater, with more being absorbed the deeper you go and the red end of the spectrum disappearing first, which is why everything looks blue in uncorrected photographs. Coloured filters can help, but also block out more light in the process, and are not available for all housings. Some cameras have associated apps which will auto-correct your footage after its shot, but built-in white balancing and colour correction can make a huge difference in quality without the need for post-processing on a computer.
Battery life: battery capacity is measured in milliampere hours (mAh). Bigger numbers mean longer battery life – but at the cost of greater size and weight – and features such as EIS, zooming and viewscreens all drain batteries rapidly. Manufacturers usually give an estimated time of use, but check what resolution and fps they are using as a reference. Roughly speaking, you can expect approximately 45 mins to 1 hour of filming in 4K/30fps, up to 3 hours in lower resolutions at lower frame rates. USB power packs are essential for surface interval charging away from an electricity supply.
Crowley (known to his mum as Mark), packed in his IT job in 2005 and spent the next nine years working as a full-time scuba diving professional. He started writing for DIVE in 2010 and hasn’t stopped since.
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